01
Concept & research
Define what sound is doing dramatically, then build a coherent language around the production rather than decorating it after the fact.
SERVICE / THEATRE
Theatre sound design built around dramatic function.
Robert designs sound from the story outward: what the audience needs to notice, feel and understand, how the room behaves, and what the production needs to run reliably every night.
Tell Robert about the production01 / RESPONSIBILITY
From sound language to final cue.
02
Atmosphere & effects
Create environments, transitions, textures and precise effects that establish place, guide attention and carry emotional weight.
03
Music integration
Join sound design and original music when the production needs them to behave as one creative system.
04
Playback & cues
Translate the design into a playable cue structure, including QLab and show control where required.
05
Room & system
Shape the design around the venue, technical reality and people who will operate the production.
06
Final delivery
Carry the creative line through rehearsals, notes, technical work and the repeatable version the production actually needs.
02 / FIT
Bring Robert in for one discipline or the wider sound-and-music response.
A / DESIGN
A defined sound-design commission.
Robert leads the dramatic sound world and delivers the agreed creative and technical responsibility.
B / INTEGRATED
Sound and music working together.
Where composition, playback or live sound need to connect, Robert can hold the creative line across disciplines.
C / SCALE
Capacity around the production.
Specialist delivery can expand around the scope while Robert remains the creative lead and point of accountability.
03 / RELATED
Build the rest of the department around the same idea.
- 01Theatre composition
Original music shaped around rhythm, emotion and practical production needs.
- 02QLab & playback
Reliable cue programming and show control for the room and the people running it.
- 03Sound & Music Department
A Robert-led integrated response when the production needs more than one discipline.
- 04Selected work
Hear how the approach changes across theatre, documentary and narrative work.
NEXT CUE / YOUR PRODUCTION
What does sound need to do?
You do not need a finished brief. Tell Robert where the production is now, the room it is heading into and what you want the audience to experience.
Talk to Robert