01 / WORK
Four pieces of work that show Robert's thinking in context: what the production needed from sound, what problem the design was solving and how the creative response was built.
PROJECTS / 01—04
The listening libraries now live under Sound & Music. This page is about the decisions behind the work.
Original sound design & music
The challenge was to make an overlooked world beneath our feet feel immediate, curious and alive while keeping scientific ideas clear.
Sound became part of the documentary's storytelling architecture: texture, underscore and transitions create movement and identity without crowding the narration.
View the case study →Sound design & composition
A live story about memory and mortality needed a sound world that could hold emotion without fixing a performance designed to change from night to night.
The score leaves room for performer and audience, then opens the space when the production needs a larger theatrical gesture.
View the case study →Sound design
The production moves between generations, so the design had to create continuity without making memory feel stable or neat.
Layered voice, altered perspective, transitions and original music become a way of experiencing time and inheritance rather than simply marking scene changes.
View the case study →Sound design
Animation makes tiny decisions visible. Sound has to meet that precision: timing movement, giving actions weight and finding a sonic character that belongs to the image.
The work is less about adding effects than deciding what the viewer should feel, notice and believe in each moment.
View the case study →WHAT WORK SHOWS
Start with the dramatic or narrative problem.
Build a sound language that belongs to the production.
Make the creative idea work in the room, edit or final mix.
NEXT / HEAR THE RANGE
Go to Sound & Music for theatre sound design, composition, audio documentary and animation, with every sample grouped by discipline.
Explore Sound & Music